Tuesday, June 6, 2017

My Side on True Love and marriage





  Love is natural and crystal clear feeling. It’s sacred. Love comes from heart. It never comes with a name and address.If I fell in love with someone it’s something I cannot stop.
India has great  love stories. Whether its Meera  Krishna,Kabira ,Radha stories or making of Taj Mahal the one of world wonders in remembrance of lovely wife.
Love is not always getting but losing also. Love and trust is not a commodity of market which can be purchased. It is natural. It comes naturally.
I feel pleasure while doing something for her
Whenever she disagree something I just follow her. It gives me joy.George Bernard Shaw described marriage as an institution that brings two people “under the influence of the most violent, most insane, most delusive, and most transient of passions. They are required to swear that they will remain in that excited, abnormal, and exhausting condition continuously until death do them part.” Most of our expectations about  marriage are unrealistic, based on the idea that marriage must be founded and sustained on a level of intense passionate love. 

I remember a man in my village who get married.But unfortunately wife died just after 1 month of marriage.The man never married again in life. He is wealthy and everything. But he denied any more marriage. This is pure love. Even one hour is enough. Love is more sacrifice and caring without any intention of getting back. When I care her it gives pleasure to me. That’s how I feel I love her.


Marriage is a very small term. In my words it’s a meeting of two wonderful souls who are ready to live together in all good bad and worst condition. But it’s more a kind of contract than full sacrifice. It is based on some term and conditions. But love never has any condition. It flows like sea water without any barriers. Marriage might know barriers. But love does not know barriers, boundaries, language or any other limitations.

A student asks a teacher, “What is love?”The teacher said, “in order to answer your question, go to the wheat field and choose the biggest wheat and come back. But the rule is: you can go through them only once and cannot turn back to pick.”

The student went to the field, go through first row, he saw one big wheat, but he wonders… may be there is a bigger one later. Then he saw another bigger one… But maybe there is an even bigger one waiting for him.
Later, when he finished more than half of the wheat field, he start to realize that the wheat is not as big as the previous one he saw, he know he has missed the biggest one, and he regretted. So, he ended up went back to the teacher with empty hand.
The teacher told him, “This is love… You keep looking for a better one, but when later you realize, you have already miss the person…”
“What is marriage then?” the student asked. The teacher said, “in order to answer your question, go to the corn field and choose the biggest corn and come back. But the rule is: you can go through them only once and cannot turn back to pick.”
The student went to the corn field, this time he is careful not to repeat the previous mistake, when he reach the middle of the field, he has picked one medium corn that he feel satisfy, and come back to the teacher.
The teacher told him, “This time you bring back a corn. You look for one that is just nice, and you have faith and believe this is the best one you get… This is marriage.”



The best love definition totally depends on you the way you feel it and the way you want to see it. To be honest, there is no way you can ever define what a true love is. And it becomes too difficult to define it, until you have gone through it. It is obvious and true that uttering those three words “I Love You” never makes sense until you are not able to understand your partner and sacrifice for him. - See more at: http://www.thefemalegene.com/love-definition-to-tell-what-is-love/#sthash.er2zIcwj.dpuf

             

The best love definition totally depends on you the way you feel it and the way you want to see it. To be honest, there is no way you can ever define what a true love is. And it becomes too difficult to define it, until you have gone through it. It is obvious and true that uttering those three words “I Love You” never makes sense until you are not able to understand your partner and sacrifice for him. - See more at: http://www.thefemalegene.com/love-definition-to-tell-what-is-love/#sthash.er2zIcwj.dpuf

Saturday, March 1, 2014

Digitalism – confronting new realities

The history of cinema is as much the history of its formal engagements as that of its technical innovations. Thirty years after it came into existence, cinema finally manages to marry audio to visual and that give birth to first talkie. That was 1927 and the film was called Jazz Singer, whose first lines “YOU AIN’T HEARD ANYTHING YET”
 Suddenly there was a paradigm shift from the story narrative to performances and audiences loved every bit of it. The advent of digital technology marks yet another bend in the long road of cinema history. Paradigms are shifting one more in terms of representations, narratives and the business of movie making. What digital means technically is that picture and sound are converted to the binary digitals of 1 and 0. This data can be stored, manipulated and transmitted by computers. Once the audio & visual information starts existing in a digital form, a whole lot of possibilities starts opening up in front of the director. The digital technology first made its presence in the 80s and around the 90s it started gaining ground. Initially, the low cost of production (in relation to celluloid) attracted certain section of communicators for whom the existing mode of production was too prohibitive in its cost. Today, digital technology has become acceptable not only for its low cost production but primarily because it has opened up a new set of realities in terms of image building and their modes of representation which in turn allows a fresh set of aesthetic possibilities. New spaces are being explored. Elaborate lighting and mise -en -scene designs have become passé. Noises and grains have become part of neo vocabulary. Alternative visual punctuation are being articulated, as dissolve, bleach, wipe…goes out of fashion. And all these are happening not in Paris, London and Berlin but in Hongkong, Taiwan, India, Iran and most of developing countries which has so long remained only the underbelly of an imperial cinematic language.
Digital technology can be used to create new kind of images where fantasy is just a click away. With a suitable software one can digitally alters pictures, like removing a person or adding a building. This changes our basic understanding of photographed reality. In digital era, statements like ‘pictures don’t lie’ and ‘seeing is believing’ are clearly untrue. Digital editing is software based. Such systems are not only user friendly but also help shape new film making styles and techniques such as the use of very short shots, graphics that flow around the screen and objects that seamlessly transform (morph) into other objects. The look of most TV commercials today would not be possible without digital tools.
This digital explosion has been gleefully accepted by alternative film makers. The famous mini DV camcorders are being increasingly employed to tell personal narratives which are quiet invigorating. The results have flooded TV and film festivals. Surprises of surprises, even big production companies have started taking note of such developments. Today they are a lot more amenable to personal stories, which are far removed from the recognized genres of Hollywood. Big matinee idols are lending themselves to thought provoking digital films. A young digital film maker in Delhi or Allahabad can always take heart from the fact that coupled with digital film production is the advent of world wide web in promoting and distributing of film through U Tube, Websites, Blogs, online services and so on. High definition TV is another aspect that has given digital production a boost. Not only does it save time and money, the quality is now high enough that audiences usually can’t tell the difference. There are also digital projectors that 9 million pixels and create super real images that never get scratched or dirty. Digital distribution through the sale of DVD is much more than theatrical tickets sales. Today more foreign films are available on DVD than can be exhibited in a theatre.
The future of digital film making looks promising. The medium is young and the time is ripe to jump into the (band?) wagon. As much as we are aware that a digital picture can near match the depth of a 35 mm film image, one is also conscious of its fresh narratives possibilities. Recourse to digital film making is a matter of choice (ideological and asthetical) and need not necessary be an alternative to ones fulfilled wishes of making a 35 mm film. Serious digital film makers, globally, are becoming progressively conscious of the rigors, discipline and respect that this new format demands of its practitioners.